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It's a stinking, shambling corpse grotesquely parodying life.
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 Post subject: Whoring this here cause it won't be seen anywhere else.
PostPosted: Sun Jun 12, 2005 9:01 pm 
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PostPosted: Sun Jun 12, 2005 11:18 pm 
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Location: Not a hellish, Onionian future...
Look! They can't close their mouths!
Time for Bukkake-palooza.

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PostPosted: Mon Jun 13, 2005 5:19 am 
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Ne, wolfie... the fanart thread...

^-^'

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PostPosted: Mon Jun 13, 2005 8:15 am 
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Imp-Chan wrote:
If you have comments on a particular piece of fanart... don't post it here. If there are a dozen comments for every picture Michael will have that much harder of a time wading through all the posts to find the art, and it defeats the entire point of this thread. You can post all the comments you want in the threads devoted to those particular pieces, though.

^-^'


I wanted comments and criticism for improvement, and you said to keep them out of the fanart thread. I'm just following orders...


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PostPosted: Mon Jun 13, 2005 10:26 am 
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But you should still put it there so Michael grabs it on his next run through to update the giftart gallery...

At any rate... Constructive Criticism:

The proportions are off, and the lines seem a bit stiff. This could be improved by studying real people and trying to draw quick, proportional stick figures of them. The faster you move, and the more you concentrate on capturing proportions quickly and accurately, the more the fluidity and realism of your finished drawings. The reason to start with stick figures is just because it makes it easier to focus while you're learning.

I like what you did with Ian's spell, though. The crackle effect is shibby.

^-^'

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PostPosted: Mon Jun 13, 2005 1:40 pm 
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Soulless creepy manga faces. Throw in a bit of expression and proportion in there and you'll have a good start.

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PostPosted: Mon Jun 13, 2005 1:44 pm 
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Yeah, I know. Everything I seem to draw turns out soulless like a puppet. And just as rigid.


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PostPosted: Mon Jun 13, 2005 4:28 pm 
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wolf346 wrote:
Yeah, I know. Everything I seem to draw turns out soulless like a puppet. And just as rigid.
If you're serious about trying to draw you should do some gesture drawings. Like Impy said, draw real people in somewhat stick figure form so you get a sense of what people actually look like and how they fit together.

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PostPosted: Mon Jun 13, 2005 5:28 pm 
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wolf346 wrote:
Everything I seem to draw turns out soulless like a puppet. And just as rigid.


It's Freudian.

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PostPosted: Tue Jun 14, 2005 6:14 am 
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arwing wrote:
wolf346 wrote:
Yeah, I know. Everything I seem to draw turns out soulless like a puppet. And just as rigid.
If you're serious about trying to draw you should do some gesture drawings. Like Impy said, draw real people in somewhat stick figure form so you get a sense of what people actually look like and how they fit together.

I took 3 years of figure drawing classes, and that's the best way to start. Make an oval with a cross to represent the face, an oval with an inverted "U" on the front to represent the chest, and twosmall ovals locked together at the bottom to represent the pelvis. Hands are triangles, and feet are rectangles. Get out of your chair and move around... think how your body moves in three dimensions and think how that would look as a "stick" figure. Spend a lot of time in front of a large mirror to see how the muscles and bones interact when you move. After awhile, you'll start to get the feel of how your musculature works and begin drawing it in more detail on your "stick" figures. Once you get comfortable with that, then you start studying the musculature of the neck and face.

Just remember, you can't move just one muscle. If you lift your arm, you also move muscles in your lower back.


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